crowdfunding + sponsorship opportunity
May - July 2026
Contact me via the Contact Form by clicking here.
The artwork shown in this slideshow is the first completed set. There will be 7 illustration + wearable art pairings total and smaller studies and jewelry pieces throughout.
BCCsArt was awarded the Ohio Arts Council's Artists with Disabilities Access Program - Individuals grant award for 2026.
At its core, Renaissance in Bloom is about revealing the extraordinary in the everyday. It bridges art, identity, and the natural world—inviting viewers to slow down, look closely, and reconsider what classical beauty can be.
By placing Black, Brown, and Asian figures at the center of a historically exclusive visual tradition, the exhibition becomes not only an artistic offering but an act of reclamation. It resonates with people who value authenticity, hand-crafted work, and stories rooted in intention.
Any surplus funds directly support the exhibition’s long-term impact. By investing in education, digital access, and community programming, sponsors help ensure that Renaissance in Bloom continues to grow to celebrating craftsmanship, cultural presence, and the beauty of the natural world for years to come.
My hope is that the exhibition sparks meaningful conversations about art, identity, preservation, and the human experience. I want it to reach across communities—to art lovers, students, collectors, families, and anyone drawn to nature or classical aesthetics—and offer something genuine, grounding, and inspiring.
Renaissance in Bloom reimagines classical art through Black, Brown, and Asian representation, reclaiming space in a visual history that has long overlooked these identities. This project is incredibly close to my heart. It reflects years of drawing, studying botanical forms, and searching for ways to honor the communities and stories that shaped me.
The exhibition features original black-and-white ink and colored pencil illustrations of Greek-inspired figures adorned with preserved botanical resin jewelry. Every piece of jewelry is handcrafted from real flowers, pearls, crystals, and natural materials. Each wearable sculpture is displayed beside its illustrated counterpart on stone stands, creating a quiet but powerful dialogue between fine art and adornment. In bringing these elements together, the exhibition celebrates renewal, preservation, and the enduring beauty of cultural presence.
If sponsorships or donations exceed Phase I production needs, additional funds will be reinvested into programs that extend the exhibition’s mission far beyond the gallery walls.
I plan to develop accessible in-person and online workshops to teach the art of preserved botanical resin jewelry. These programs will make the creative process available to wider audiences, encouraging hands-on learning, curiosity, and connection. This would include publishing and recording equipment, ventilation equipment, and classroom infrastructure equipment.
This would include publishing and recording equipment, ventilation equipment, and classroom infrastructure equipment.
This expanded platform will allow visitors worldwide to explore the artwork, learn techniques, and engage with the project long after the exhibition ends.
This exhibition invites viewers to slow down, look closely, and find the extraordinary in the ordinary. By centering historically overlooked identities in classical settings, the work becomes both artistic and restorative, reflecting authenticity, craft, and presence.
My hope is to spark conversations about art, identity, and nature. The exhibition is meant to reach art lovers, students, collectors, and anyone who values craftsmanship and meaningful storytelling.
If contributions exceed Phase I needs, additional funds will support:
Accessible in-person and online classes that share the process of preserved botanical resin jewelry.
This would include publishing and recording equipment, ventilation equipment, and classroom infrastructure equipment.
This expanded platform will allow visitors worldwide to explore the artwork, learn techniques, and engage with the project long after the exhibition ends.